Belle ACEO

"Belle" 2.5 x3.5 Colored Pencil on Paper

This beautiful mare is owned by my Barn Manager, and I couldn't help but try my hand at painting her! She's a Champion Arabian Halter horse, and full of attitude! Around the stables we call her "Barbie" because of how she struts around! It's always amusing the personalities these creatures have, and that's most of the reason why I'm so drawn to horses. Their beauty and grace is just the perfect subject for a painting!

I also like completing these smaller works of art. They come in handy if there isn't a lot of time to complete a larger work, and they help keep things challenging. It's very hard to come up with a pleasing composition with such a tiny work space! Colors and contrasts become even more important than the subject matter as one trys to make the painting successful. With the time factor, I can usually have one of these completed in less than an hour. And in a busy work day between school, writing, music, and exercises- like I said, larger works just keep getting pushed back. This is especially true with school since I'm an art major, I have so many paintings due for different professors there just isn't time for personal work sometimes!

Back Into the Groove

"Sprinkled Petals" 3x5 Colored Pencil on Paper

Melody is still not 100% better yet, but she's getting there! Thank you for all the encouragement and prayers for my lovely horse. I am slowly getting back into the groove of things as my life starts to slow down again and thoughts that my beloved horse might die start to fade from my mind. School has once again started, and I'm very excited that I will be graduating in December!

I am taking an oil painting class this semester, and I'm not sure if the Professor and I are going to get along. I am pretty comparably with myself as an artist. I know my style isn't set, for these things are always changing, but the Professor doesn't like my work so far. She doesn't like my palette, or how I start my paintings. To say the least, this should be interesting. One thing we seem to be debating at the moment is the usage of black in a painting. I use it. She says I should throw it out.

The huge debate about the color black came about with the Impressionists, before then black was a very acceptable color to use in paintings. Used sparingly, I think black can greatly enhance a painting and the shadows within it. Yes, too much black and muddy and dull a painting I understand that, but there is also only so far a dark Prussian blue can shape a shadow.

The colored pencil work I posted has no black added to the shadows. Yes it does have depth and volume to it, it still feels a little flat in some areas. The shadows seem unrealistic to me. It was really only recently that I began to use black again in my work, but again, I use it only to help with my shadows.